6: QUESTIONS: THINKING BACK TO TRIAL PRESENTATION ONE

WHAT DOES IT MEAN TO BE A SOUND ARTIST EXISTING IN A VISUAL ART WORLD?

HOW CAN WE ENCOURAGE PEOPLE TO LISTEN IN AN NON-EVENT-BASED CONTEXT?

WHAT CAPACITY DO PEOPLE HAVE TO LISTEN?

HOW MUCH NOISE EXISTS IN THE MIND OF LISTENERS?

HOW CAN WE FILTER OUT THIS NOISE?

WHAT DO PEOPLE THINK ABOUT SOUND?

HOW DO PEOPLE LISTEN?

DO WE ALL HEAR THE SAME THING?

HOW CAN WE UN-SEE SOUND TECHNOLOGY?

WHAT IS THE RELATIONSHIP OF MEMORY AND SOUND; OF IMAGINATION AND SOUND?

IS LISTENING ALWAYS SUBJECTIVE?

WHAT HAPPENS WHEN WE SEE THINGS AND HEAR THINGS CONCURRENTLY?

HOW CAN WE DESCRIBE SOUND?

WHEN DO PEOPLE LISTEN BEST?

HOW CAN I LIMIT THE VISUAL NOISE?

WHO LISTENS?

WHY LISTEN?